This week, I talk with John Fram about the creative process behind his new horror-thriller The Midnight Knock, a genre-blending desert nightmare. He dives into selling the book early, wrestling with a complex multi-POV structure, and navigating the behind-the-scenes realities of publishing—from word-count limits to printing costs to foreign rights. He traces the story’s roots from a childhood moment of awe in West Texas to the unsettling idea of an endless highway, explaining how claustrophobia, cosmic horror, indigenous-informed mythology, and a terrifying owl-snake creature all converged in a motel where the guests can’t outrun their pasts—or the desert itself.